30th September 2014
6:30 – 8:30pm
PaintUnion are delighted to welcome Kate Hawkins and Sarah Kate Wilson to discuss their practices at the Griffin Gallery.
Image 'Alien', 2014, courtesy Sarah Kate Wilson
Sarah Kate Wilson aims to destabilise the tradition of painting, of which a static object hung on a wall is typical. She sidesteps away from ‘finished’ paintings preferring to keep the works in a state of flux and make the passing of time explicit through various strategies, such as asking the audience to physically interact with the work and the use of ephemeral materials such as balloons and mirrored acrylics. Wilson is currently showing in a three person exhibition at The Newlyn Gallery, Penzance and has been nominated for the inaugural ‘2014 New City Prize for the Visual Arts’ in partnership with MK Gallery. Previous exhibitions include, TORTOISE, WW Gallery, London; PART THREE: Oblique Exchange, 2013, APT Gallery, London, UK; Uncle Vern’s Dog, Gallery North, Newcastle, 2013; Jerwood Drawing Prize 2012, shortlisted (UK touring show). She is currently doing a Practice Based PhD at Leeds University (AHRC funded).
Image installation shot from 'Escape the Esplanade', courtesy Kate Hawkins
Kate Hawkins recently completed a practice-based PhD at Winchester School of Art on whether painting can be performative without becoming theatrical and what this means for spectatorship. Her work is informed by her previous performance-based background, frequently encouraging the spectator to adopt the role of performer and to actively engage with the work. In 2013/14 she exhibited in New Order II, British Art Today at the Saatchi Gallery, and in Bloomberg New Contemporaries, selected by Chantal Joffe, Ryan Gander, and Nathaniel Mellors. Recent solo and two-person exhibitions include Escape the Esplanade, Limbo, Margate, 2013; The King of Hearts Has No Moustache, Gallery Vela, London, 2012; and My Brother is a Hairy Man, with James Ferris, at George Polke, London, 2011.
RSVP to email@example.com