April 29th 2014
PaintUnion is pleased to welcome SeanPenlington and Cornelia Baltes to speak at our next discussion evening. Penlington and Baltes will be giving a talk about their recent work within the context of the expanded field of painting.
Penlington’s work is predominantly concerned with the history of painting and how it affects and informs practise today. He focuses on history within painting as part of a vocabulary or tool which can be called upon to help develop the language’s future. Using a traditional Carnivaleque idea of structure, reference and mockery as a framework, Penlington creates visual jokes based on perception within his work.
Notable exhibitions include The Jealous Graduates Edition and Print Gallery, The Saatchi Gallery, London, UK (2014), New Sensations (2010), The Threadneedle Prize (2011) and Creative Cities Collection (2012) now on permanent display in Beijing.
His work can also be found at http://www.seanpenlington.com.
Cornelia Baltes creates a kind of art that resists being written about. Subtle, measured and at times self-effacing, her paintings, photographs, sculptures and installations are minimal in their means – often favoring found materials and simple gestures – but reveal a largess of feeling. She is an artist constantly inventing, and the playful nature of her works and their lightness of touch is a skilful operation. – excerpts from an essay by Gair Burton, 2012
Notable recent exhibitions include solo shows ‘Schnick Schnack Schnuck,’ Limoncello, London (2013), ‘There’s a light and a whistle for attracting attention,’ DREI, Cologne, DE (2013) and recent group shows include ‘Just What is Not Is Possible,’ Museum Folkwang, Essen (2013).
Her work can also be found at http://www.corneliabaltes.com.
If you would like to attend this event, please RSVP to email@example.com